Maybe, but the insurance companies that would normally pay the insanely marked up price do care and will arbitrarily choose the option (of paying the bill or billing you) that profits them the most. The plan was always to kill poor people in every little bureaucratic way possible.
That’s not very helpful for connecting family, friends, and especially grandma.
Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.
If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.
I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.
There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.
Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.
The nostalgia is the point. Nobody stores crackers in barrels anymore, but everybody did then because it was the best option at the time. Same reason the save icon is a floppy disk.
I’d ask a couple thousand people to guess in private. So the most popular answer would probably be either surprisingly close to correct or Cuppy McHazelnutface.
Wait till they hear about the people farming, harvesting, and shipping the vegetables.
It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.
Conservatives really like the recycling myth because it puts the onus of waste on the individual consumer instead of the corporations actually producing the waste.
Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.
And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.
Yeah, dude’s just making shit up or regurgitating an ai hallucination. Orange tiger stripes aren’t blending in with orange dirt either. The herbivores that are a tiger’s prey are reg/green colorblind, which means the orange tiger blends in with the green grasses because the animals can’t distinguish between those colors well.
The rest of the comment isn’t much better. From claiming that a ghillie suit isn’t camouflage (it is). To claiming that a solid color is better camouflage than a camouflage with a decent disruptive pattern. There is good camo and bad camo out there, but Nuxcom_90penis doesn’t seem like the type to see subtly in anything. That’s why I’m up voting you and agreeing with your sentiment here instead of kicking that toxic hornet’s nest.
“pretty easy” is a bit of a stretch
You don’t even need the ship to have active acoustics, just that the other ships whizzing by using “insert sci-fi techno babble force here” affect space and matter around them in such a way that energy waves from that sci-fi force moving silently through the vacuum and turn into sound when they interact with the technology/structure of your own ship or spacesuit. Like a microwave generating sparks and a crackling noise across metal foil.
Pineapple pizza really is kinda meh by itself. But, pineapple + jalapeno + a salty/savory topping like pepperoni can be amazing.
Semi-tangential non-sequitor: The news algorithms offered up the recipe for an “Italian treat” recently that had me appalled and curious in the same way I expect pineapple pizza haters are. It was very ripe cantaloupe slices wrapped in prosciutto. I don’t even really know what to say. I just don’t want to be alone in knowing about that monstrosity.
With no more due process, an ID and proof of citizenship do not matter at all. They’re not checking ID’s before hauling people away. And given ICE is going around masked and without uniforms there is no way to verify their authority either. I absolutely loath violence to a point, and that tipping point is the safety of the people in my family and community, regardless of their citizenship. If a group of unidentified masked gunman are attempting to kidnap someone, the only truly patriotic American response is to defend their liberty with all necessary force. Given the murder happy training of our law enforcement, that will obviously result in tragic deaths. But that, protecting the people (all the people, not just citizens) from a corrupt government, is the fundamental justification for the 2nd amendment, always has been.
Songs are cheap. Ever heard of buying something for a song?
It’s because that recording industry, the RIAA vs. the MPAA, has had a stranglehold on the industry and artists for much longer. They are much better at exploiting artists while paying them next to nothing.
Mpd + a frontend of your choosing, I prefer ncmpcpp, will run on just about anything and is remotely controlled through apps or ssh. Mpd is great when the server is physically connected to the audio output device. I use it to remotely control a speaker connected server that can also run Plex (because I prefer plexamp for streaming and syncing to my phone, other android devices, and smart speakers). They both look at the same directory of a collection near 30 years in the making with hundreds of thousands of files and a wide array of formats.
The question is rude in this context. It’s not rude to completely ignore rude questions.
Your rationalization sounds like some self centered manipulative bullying bullshit.
There is a reason that I have fallen asleep during the extended 3rd act fight scene in every single god damn marvel movie since Mark Ruffalo became the Hulk.
They all turn into the same movie, with the same fight. And these super long fights all seem to be surprisingly light on showing any of the actual real world impacts of such violence. Nobody ever gets seriously hurt unless the plot needs more sacrifice. But even when they do, the injuries mostly happen off camera and the blood never flows or spurts, it just instantly appears as makeup. It’s really giving people a deep rooted and totally unfounded sense that violence both solves every problem (it doesn’t) and does so bloodlessly (it doesn’t). At least Batman knows he’s not a hero.
But really, the DC universe isn’t much better. Think about how shocking a little bit of blood at the beginning of the new Superman movie was, before they basically destroy metropolis (which was rather expected and mundane). And then they only show the tiny fraction of people personally saved by Superman, not the countless mangled corpses buried under rubble. This may be why the public has trouble confronting the realities of war and violence.