Ditto

@non_burglar@lemmy.world is correct, but is perhaps not explaining it perfectly for the practical questions you seem to be asking.

If you have, say, two Docker containers for two different web servers (maybe one’s for your Wiki, and the other is for your portfolio site), you can have both listening on ports 80 and 443 of their container, but a third Docker container running a reverse proxy which has access to your machine’s ports 80 and 443. It then looks at the incoming request and decides which container to route the request to (e.g., http://192.168.1.2/wiki/%s requests go to the Wiki container, and all other requests go to portfolio site).

Now, reverse proxies can be run without Docker, but the isolation Docker adds makes it all a lot easier to manage, in part because you don’t need to configure loads of different ports.

I like science, tech, retro, gaming

You’ll find a lot of that on Nebula. Though the “gaming” in particular is mostly limited to more video essays about gaming, analysis of gaming culture/game development, game design, etc. You’re unlikely to find game tutorials, let’s plays, etc. See channels like Extra Credits, People Make Games, and Razbuten for example. Or the gaming category. One thing I really like about Nebula as compared to Netflix-style “traditional” content streaming platforms is that you can browse their entire library without an account, exactly the same as you would with one.

VLDL

You’ll find much less of that. Dropout might appeal to you though, if Viva does. Dropout is mostly improv comedy, often with a nerdy bent to it. “Um, Actually” is particularly good. I think there’s probably some scripted content on Dropout too, more akin to Viva’s stuff.

but prefer substance over screaming and outrage

You will definitely get this on Nebula. While some of their creators do use rather clickbaity titles and thumbnails, that’s predominantly because they just use the same title & thumbnail that they have on YouTube, and the unfortunate reality is that that’s necessary to get clicks to satisfy the YouTube algorithm. The actual content though is always more considered. It’s one of the defining things about the platform, and it’s part of why they’re invite-only for creators.

The service is half the monthly price of Netflix

It’s $60 annually for a naked sign-up, but $36 annually if you go through a creator’s code. Any creator. There’s literally no reason to ever pay the higher number. That’s $3 per month, though at that price I find it easier to talk about the annual cost than monthly.

Plus, when they last increased prices in September 2024, they also guaranteed existing customers could keep their older prices. They didn’t guarantee that will be true for future new signups on future price increases, but that seems likely.

I’ll be honest, if you’ve looked at their catalogue already and it didn’t appeal to you, that’s unlikely to change after a free trial. If you do end up signing up though, make sure to go through one of the creators’ URLs. You get a much better price that way.

For me, when I first signed up for it 2 or 3 years ago, the thing that finally made me pull the trigger was Tom Scott’s Money, the social game show that was, at the time, Nebula-exclusive. But there were probably 5 or 6 other channels I already regularly watched on YouTube too, like Wendover/HAI, Lindsay Ellis (who has since basically left YouTube and exclusively uses Nebula), and Patrick H Willems. And in the time since, they’ve added like 10 or more channels that I already watched on YouTube, such as Not Just Bikes, Angela Collier, TLDR News, Legal Eagle, and Tantacrul. It’s also helped me rediscover creators I once watched but stopped for no particular reason, like Cult Tennis (which is fantastic even though I have no real interest in the sport of tennis otherwise) and Medlife Crisis; and new channels I first discovered thanks to Nebula, like CityNerd, Linus Boman, and ReligionForBreakfast; and channels I had seen once or twice on YouTube but never regularly watched, but Nebula made me realise are regularly putting out good stuff, like People Make Games (if you haven’t seen it already, I assume their two videos about the Rockstar union busting are on YouTube and highly recommend those) and Razbuten.

I think their biggest problem is lacking a free trial

They have a 3 day free trial by default. And members can also give out a limited number of “guest passes” which act as a 1 week free trial.

I suspect their closed model is because it’s very expensive to host that data, and they want to make sure that whoever they put up there is worth spending the money on

That’s probably part of it. It’s also a marketing tactic. They’re positioning themselves as a premium service. They want customers to know that if something is on Nebula it’s going to be good. Similar to the way Apple positions themselves as premium by not selling a $200 smartphone, or Mercedez-Benz, or Louis-Vuitton.

It’s also about trust. One of the things they’re trying to do with Nebula is to provide creators a space to safely discuss controversial topics without censorship. But with that, along with the fact that they have a coop-type structure, comes the need to be able to trust that the people uploading on their platform aren’t gonna be Nazis.

The advantage of the fediverse is how well it should be able to scale, thanks to its federated nature. A big part of the problem with YouTube is that its large scale but centralised nature means that they just throw AI at the moderation problem, and it is infamously terrible. Censoring important conversations and sensitive subjects, while letting through actual child abuse. And because it’s centralised, users (both viewers and creators) don’t have an easy option to turn somewhere else without losing the whole network effect.

It’s compounded by the fact that the majority of monetisation on there is driven by advertising. Direct funding via a Patreon-like model (optional payment to receive some minor bonuses, primarily for supporting the creator), a Nebula-style model (subscription to access content), or a BATish model (forget most of the actual details of BAT, especially the crypto, but imagine a system—which could be voluntary or mandatory depending on the individual system, creator, or piece of content—in which users stick a bunch of money into a wallet, and it is automatically shared with the creators whose content they are viewing in some fair manner). Not having actual advertisements, combined with better, more local moderation decisions, would help stave off the biggest problems with YouTube.

The “making money” bit doesn’t need to be imported, necessarily. It’s not an end unto itself. But if we want a large amount of high-quality content, while society is capitalistic, then it does. Because high-quality content takes a lot of time to produce, and not many people can afford to do it as a hobby. The scenario you’re describing means that who have the skills to do it could do it while making money on YouTube or Patreon, or they could do it for free on the fediverse while not making money (or making money in a more conventional job, creating the stuff that we love them for only in their spare time—limiting the quantity they can produce).

Honestly the best YouTube alternative at the moment is Nebula. The problem is that it’s a closed system. You can’t just make an account and start uploading, you have to be invited. So the range of content is fairly limited compared to YouTube. But unlike many other platforms, it is designed to be fairly general-purpose. There are some excellent individual creators’ platforms, like Dropout, Viva+, Club TWiT, etc. But you only get a single creator/team’s videos on those. Dropout is improv comedy. Viva+ is sketch comedy. Club TWiT is tech news. Whereas Nebula is more of a coop owned by tens of different creators with content including news, media analysis (including film, games, and music), politics, science, short films, game shows, and more. It’s not federated, but it’s independent and worker owned-ish.

We can just do this.

outlaws anonymous communication by requiring every citizen to verify their age before accessing a service

This is likely to be the case in practice, but technologically, it does not have to be the case.

If the age verifiers (which IMO should be the governments themselves^[1], but could also be a private third-party, as long as it’s not the same as the social media company) only ever receive a blinded token representing the user, verify the user’s age, and then the user brings that token back to the social media site, unblind it, and present them the signed token, there is no way for the age verifier to track which sites a person visits, and no way for the sites to have any detail about who their users are (other than what they already have).

I’m not sure what “piece linked” you’re talking about, since none of the parent comments of this comment actually have a link in them.

This is the first time I’ve ever heard of FUTO, but I did read their statement about open source and it sounds pretty good to me. I actually think they’re capitulating a little bit too much by deciding not to call it open source anymore. As far as I’m concerned, if the source is available and anyone can contribute, that’s open source. I don’t particularly care whether or not it’s free for Google to incorporate it into their increasingly-enshitified products or not.

Creative Commons (an org to which FUTO says they have donated) doesn’t like their licences being used for software, presumably for finicky technical legal reasons. But if you imagine the broad spirit of their licences applying to software, all the main CC licences would be open source in my opinion. All combinations of Attribution, Non-Commercial, Share Alike, and No Derivatives, as well as CC0 respect the important elements of open source.

Clever plays on words like that can prove a real challenge for even the most expert of real-world human translators.

Is it weird that chai tea bothers me but naan bread doesn’t?

I imagine that the UT is intelligent enough to take in the full context of the sentence and the broader conversation to know which word is meant.

I thought for sure you’d be right. But it turns out, no! Dupe comes from 15th century French duppe, thieves’ jargon, thought to come from Latin huppe/hoopoe, an extravagantly crested bird. Duplicity comes from Latin duplicitatem “doubleness”.

Without actually doing any research or analysis, I feel like in English we’d say “the Sahara” slightly more often than “the Sahara desert”, but both are pretty common. I don’t think I would ever just say “the Avon”, but I would just say “the Thames”. So I think it comes down to how large the object looms in my mind, whether it feels acceptable not to include the descriptor.

It’s not, like, that time Riker got cloned

They could recreate that accident.

I’ve never heard “gyped” or “jipped”. I’d say you were “duped”.

But that could be because I speak a dialect which features strong yod-coalescence. So “dune” and “june” are pronounced the same. So perhaps I have heard it, but simply eggcorned it into “dupe”.

Huh?

I’m apparently banned in c/guns, c/liberalgunowners and c/asklemmy

Are you sure? There’s no ban that shows up for you in the mod logs of any of those communities.