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Cake day: March 7th, 2024

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  • Back in the 80s, my uncle paid some company to convert the 8mm to VHS; they overlaid some music over the video, I didn’t remember what. I borrowed the tape sometime around 2002 and converted it to DVD.

    Around the same time, my mom had a bunch of reel-to-reel and audio cassette recordings she asked me to convert to CD, which I did. One of the audio tapes was from a family reunion in the mid-70s, where they’d played the same home movies and everyone was discussing them. So I converted the tape and then synced the audio to the video; you can play either one the music or commentary track.

    There’s one thing I meant to do back then that I didn’t have the energy to deal with, which was to provide a transcription of the audio, so people would know who’s voice was who’s. Voice-to-text should make that fairly easy now. I think there’s too much over-talking to do a decent set of labeled subtitles, but I might be able to swing something.

    Re: your VHS results: if it’s not at the front of the tape when you start working on it, then fast-forward it to the end and then let it rewind; that’ll give you a better tension on the tape. Depending on the tape, it’s quality and it’s condition, how it was stored (temperature/humidity and whether it was on it’s end or on it’s side), and when they thought it had been played last, I might try fast-forwarding and rewinding it anyway, as doing that would reset the tension and make sure that the tape wasn’t sticking to itself when I was playing it and reducing the risk of the tape getting eaten. The trade-off was that doing that could pull some of the magnetized bits off the tape, increasing drop-outs. Whenever I started playing a tape, I was always recording the output, regardless of whether the video had started or the tracking was off, just in case the tape got eaten.

    If your tape does get eaten, you can try to iron out some of the wrinkles to get it to play through that section; or just rotate the spindles past the wrinkled bit and resume converting. If a tape gets eaten, I’d clean the heads on your vcr, just in case any debris got in there, and I’d clean it after any particularly dirty tapes (stored poorly, or lots of drop-outs) as well. (If it’s a vcr from a thrift store or something, I’d clean it anyway, and make sure the that the first tapes I played were commercial tapes I didn’t care about in case there were issues with it.)

    If the spindles on the tape get jammed, you can unshell the tape and spindles and re-shell them into a new case - I have some old VHS movies I keep on hand for just these situations.

    If you’re using a standalone DVD recorder, given the option, use the RCA connections instead of coax for a better picture. If you’re getting unstable brightness or color, try hooking up your cables to the front input instead of the rear inputs; sometimes those recorders pick up DRM-style signals on old tapes and interferes with the recording, except they assumed the front inputs would be used for camcorders and often put less DRM detection on those ports. If you still get unstable brightness or color and think that’s wrong, see if you can find something called a video stabilizer or signal enhancer - that’s what the copyright busters used to be called, and they also helped sharpen the image a bit too.

    If you’re having issues with tracking, there are vcrs that let you do manual tracking adjustments, and you might want to see if you can find one. Many of my old Sony vcrs had that ability, and I really liked that. My old Sony vcrs also had the ability to move back and forward frame by frame, which was also nice: I could start the tape, get the tracking nice and settled, then back up to the first frame of the recording and start converting from there, thus avoiding the whole “tracking” notice on the screen without missing any of the recording.

    I dunno, I’m kinda babbling, sorry. Are there specific issues you were having with your tapes, or just “this was a cheap tape recorded over multiple times, the recording I want to save was made at EP, it was stored on its side on a hot and humid environment and I’m lucky I managed to get anything off it”?


  • I’ve inherited a lot of photos, and also a bunch of negatives. I’ve gone and thrown out many vacation photos that weren’t relevant or unique: if I need a photo of the pyramids, I’m fairly confident I can find one, lol. But I kept the one of my mom in front of the pyramids.

    I’m in the process of scanning and organizing everything. Once I’m done, I’m planning on putting together five photo albums, all nicely labeled and organized. The first one’s for me, of the people I loved or events I found special. Then one of each of the other albums for my nieces and nephews. There may be a handful of photos I copy and put in each album, but most of the pictures will be unique.

    Also enclosed in the albums will be a family tree, and whatever biographical bits of information I can put together of our various relatives. And a DVD with digital copies of all the photos and negatives I scanned in, so everyone will have access to a full set of photos, as well as a subset of the originals. I also have some digitized 8mm home movies from the 1940s and 50s, with my grandparents in the 1970s narrating who the various people are, so I’ll probably include a copy of that.

    Honestly, I’m not sure how my nieces and nephews will feel about the albums, but it’s the best connection I can give them to some of their roots and where their people came from. What they do with their albums afterward is up to them; I’ll have honored the people in my past and provided what I can to the people in my future.






  • A “foreign entity” has hired gunmen to shoot at synagogues in Toronto, Secretary of State for Combatting Crime Ruby Sahota said in the House of Commons on Wednesday. Ms. Sahota made the remark in an exchange about the government’s lawful-access bill, which would require electronic service providers, such as internet companies, to provide police and the Canadian Security Intelligence Service with surveillance and monitoring capabilities. Ms. Sahota said the shooters behind the recent incidents “were paid-for hires, hired by a foreign entity.” She argued that passing the bill would mean fewer victims of such crimes.

    While I don’t deny such a network could exist, it’s terribly convenient that this claim (a) makes local shooters into “misled youths” falling prey to evil foreigners, and that (b) defeating this claimed network requires an expansion of government surveillance capabilities.












  • And don’t spend money on fancy prescription sunglasses - that gives you an extra pair of expensive glasses to lose. You can get over-glasses sunglasses for like $20 each. They fit over your regular glasses; provide more sunglare protection from the sides, overhead and even reflected upward; you’ll still be wearing your regular glasses so you won’t lose them; and they’re cheap enough that you don’t need to worry about scratching or losing them.


  • You might check around with your friends and relatives, to see if any of them digitize stuff; I’ve done it on a casual basis for some of my friends and relatives.

    Alternatively, you can probably get an old VHS machine at Goodwill, give it a quick cleaning, and pick up various digitizers (standalone recorder or computer-input) and convert your own tapes. If you do it yourself, I would strongly suggest checking your setup with old commercial tapes first, so that you iron out any setup issues on something you don’t care about, before sending your irreplaceable tapes through whatever process you have.

    [Note on commercial tapes: some of them have copyright protection on them, which will make the video fine when you send it to a tv, but just make it erratic when you send the video through another device. Very very occasionally, for undetermined reasons, an entirely home-recorded tape will also exhibit this behavior. If this happens to you, there are two main options: (1) if the device you’re recording onto has front input jacks, switch your setup to record through those jacks, as many of the front inputs lack the monitoring needed to screw up your recordings. (2) Check eBay or other online shopping places for a “video stabilizer”, which is old-timey code for “copyright buster”. Look at the listing for some indication that it’s used for VHS or VCR.]

    If you think there might be issues with the tape quality (for example, dropouts or the magnetized bits sticking to the back of the previous strip on the reel), you might want to go professional - but only after seeing what steps they take to minimize this, and what that might cost.

    Edit: when I did this for family and friends, I’d monitor the first five minutes or so of each recording, simply to make sure that the tape wasn’t crinkling (more likely to happen at the start of a tape, or some midpoint that was heavily used (repeatedly rewatching a single scene) of where someone had left the tape sitting. And then I’d check in periodically, to see if the tracking needed to be adjusted. I’d also try to at least stay in the same room, so that I could react quickly if I heard the tape crinkling.

    Also, in an attempt to minimize problems with the tape having become slack over the years (even if properly stored on their spines), before I started any new tape, I would: if it was stopped partway or at the end of the reel, I would rewind the tape to the start, fastforward it to the end, then rewind it again, to try to reset the tension on the tape. If the tape was stopped at the start of the reel, I’d fastforward and then rewind, to reset the tension.

    Also, if you do this yourself, it’s good to have some old tapes lying about that you don’t care about, either old commercial tapes or home-recorded tapes with content you don’t care about. This is because every so often, a tape will jam inside it’s cassette, at which point you need to open it up and unjam it. But sometimes the cassette itself (but not the tape) has developed problems, and you need to re-shell the tape into the shell of a different cassette.