Athene brama, Athene cunicularia, Athene noctua, Bubo ascalaphus, Bubo bubo, Bubo cinerascens, Bubo virginianus, Megascops kennicottii, Megascops asio, and the overly-specific list goes on (basically, Athene, Bubo, Megascops, maybe Micrathene and Glaucidium, but mostly the first triad I’m hyper-obsessed with because most of them share this same spiritual force, this same… Lilithian energy, when they’re not embodying Stolas (with his specific manifestation being, I guess, Bubo bubo)).

Maybe Corvus cornix and Corvus moneduloides (oh, hello, Lucifer, long time no see! How’s it going?), maybe Dendroaspis polylepis as well.

As for the language? None in particular, maybe Enochian, Egyptian or Sumerian if I gained (through gnosis) the ability to understand these as if these were my secondary languages… but I guess this kind of communication benefits from some kind of telepathic, raw, non-linguistic communication, which would convey way more information than all human languages together, which have limits on what can be signified, with requirements of “beingness”, “thingness” and “timefulness” (i.e. most languages can’t translate the concept of “existent non-existence that have been happening since the eternal timelessness” without leading to this very kind of surreal phrasing between the quotes).

!asklemmy@lemmy.ml

You probably should have prefaced your post with explanation of who is “Her”

“Her” is Dark Mother Goddess, Lilith among many names I believe She manifests as. I follow no specific religion but a solitary, independent syncretism whose concepts stem from several Left-Hand Paths. It’s mostly stemmed from gnosis, so I got no known source to point at that could define my current beliefs, but many concepts share the same original definitions: “gnosis” and “channeling” being “learning and/or being inspired by spiritual entities, often during altered states of consciousness”, and Lilith/Lilitu being the powerful Mesopotamian Goddess depicted in the Burney Relief, flanked by owls while also having owl traits Herself (hence part of why my artworks often revolve around owl symbolism; I don’t just find owls cute and awesome, for me, owls are one of the manifestations of the Goddess), sometimes paired with Lucifer (a more known name whom I also venerate to a lesser extent) as Her complementary in some LHP where both are known for, among other principles, forbidden knowledge, rebelliousness and untamed defiance (part of what I meant by “Her principles”).

But notice how the earlier paragraph trying to summarize my beliefs is lengthy, hence why I tried not to preface my post with my religious beliefs (because the way I communicate myself is already lengthy unto itself; also to avoid committing proselytism), still I had to nod at the spiritual aspects of my question mainly for contextualizing that there are personal religious reasons (seemingly an important factor for legal disputes in some jurisdictions, including mine, Brazil) beyond just political-ideological orientation behind both my artistic expressions and the principles I’m looking for in a licensing template.

The problem is, a person cannot make one derivative work based on two works

I tried to search for existing mixed licensing situations as soon as I saw your reply and… oh!.. I caught myself inside an A. cunicularia hole, so many things I wasn’t aware of!

To the one hand, yeah, Creative Commons licenses don’t always play nice with each other (remixing), with CC-BY-NC-SA being the 3rd most restrictive among Creative Commons licenses, and there are uncertainties regarding institutional usage. To the other hand, CC-BY-SA does neither prevent, say, a BlendSwap (where there are CC-licensed and even CC0/PD models made by artists for artists, but also an exclusionary “Plans” page) from charging users for downloading a model meant to be gratis, nor prevent them from omitting external links to the artist’s own sources where anyone could get it for truly free. Now I’m left with more legal uncertainties than solutions to satisfy the strict-gratisness plus forgiven-lack-of-attribution-by-individuals principles for best affordability by anyone without rendering it paradoxically unaffordable 😅.

The list of commercial usages that NC theoretically prohibits includes, for example, collecting monetisation from a blog with this work posted or drawing it on a hand-made craft that would be sold in an indie shop.

The first case, for me, would be okay if said blog weren’t to exclude other people from accessing because they can’t afford paying for access; if, say, the blog/website were donation-based with donations being totally optional (like Wikipedia), that would be perfectly okay for me because it’s the only monetization model I advocate for (and I made my donations to certain projects back when I was still employed, so it’s not utopia). The second case, definitely a no-no, as it involves something (or its derivation) through which I, the original creator, actively refrained from profiting (even despite the costs I had doing it, costs of which I absorbed to myself so anyone could access it freely), being put behind a paywall (“shop”) by someone else; I mean, that would be perfectly okay for me if the artist were to use my creation for their drawing while simultaneously asking for Ko-fi/etc donations, considering the derivative still gets to be shared free of charge despite someone not affording to donate to them.

!asklemmy@lemmy.ml

but it also allows everyone to legally “pirate” this work

The problem in this situation isn’t piracy, the problem is the content being contaminated by demiurgic capitalism. I would definitely be the first and main person to endorse piracy unto capitalism-exploited versions of the content I myself created. But this means a corporation have successfully transmuted something spiritually charged (i.e. something channeled through my creativity outlets as gnosis) into some kind of capitalist aberration for archonic whims, an enshittification of which…

A regular BY-SA license doesn’t prohibit from selling your or derivative works by another party

…is the main thing I (and likely Her as far as I’m aware of Her principles and True Will) do not wish to see happening to the fragments and shadows of spiritual energy being channeled/carried through my creations (and which would be inexorably imbued into derivatives, hence the requirement that derivatives follow the same principles of gratisness).

but I wouldn’t recommend it’s use as it’s not compatible with the orders of magnitude more popular BY-SA

Oh… you mean… CC-BY-NC-SA is yet to be tested legally, is it?

BTW, any licenses imposing any restrictions can’t be called “public domain”, there are other words to describe them like “freely licensed”.

Yeah, I mean, this makes sense… Even though the restrictions aim for humble creativity and artistic freedom, I can see how “enforcing freedom” may sound like a paradoxical/oxymoronic statement… but since archonic exploitation (greed) exists in this baryonic realm, and capitalism (esp. late-stage capitalism) won’t rest until all the earthly Commons get transmuted into adware and/or subscription-based products, freedom is a principle that must be fought for, especially through cultural and religious means (counterculture and Left-Hand Paths, respectively). I can’t help but notice how the Public Domain and the egregores of Libre knowledge as a whole are under attack, hence the need for enforcement of the freedom…

!asklemmy@lemmy.ml

No one will enforce rules for you that you as project owner/creator does not care about.

Exactly… And this seems to be also the problem when dedicating something to PD (Public Domain), as there’s no legal way for anybody, not even the person who created and dedicated their creation to PD, to enforce derivatives and uses to be also dedicated to PD and/or shared free of charge like the original creation was.

I was thinking about dedicating my creations to PD because I believe art and knowledge (and gnosis) shall be accessible by anyone, anywhere, anytime, with said accessibility being, to me, inseparable from gratisness, otherwise it wouldn’t be truly accessible, especially by those who can’t afford paying. Given how the main raison d’être guiding me through my spiritual-personal artistic expression has essentially been strict principles against capitalist exploitation, the gratisness aspect of my creations and its derivatives is, to me, the more important aspect, moreso than my spiritual preference not to be nominally remembered (and/or being conjured/evoked post-mortem) through my creations.

You can select a license with attribution attached, but put in your project info that you have no plans to ever enforce the rules of attribution but will strictly enforce the rules of open availability and free of charge.

Thanks for this idea. Yeah, seems like the only legally feasible way for me to (try and) enforce this gratisness, using CC-BY-NC-SA (or similar licenses) alongside a disclaimer easing the “BY” aspect… Although the “NC” seems not enough to me given how capitalist exploitation can come in disguised clothes, loopholes of which the NonCommercial aspect of Creative Commons couldn’t possibly curb, but then there’s the legal feasibility of having something deeper than the NC statement.

While I’m still open to suggestions with this thread, seems to me like this suggestion of yours is the most (the only?) legally-feasible option.

!asklemmy@lemmy.ml

When it comes to Creative Commons, the “SA” and “NC” seem to require a “BY”, an attribution of which, if possible, I’d like to avoid as I don’t really care about having my name attached to the things I created (also, there are spiritual reasons for me to prefer not having the signifiers of my mundane embodiment being strongly tied to artistic expressions stemming primarily from gnosis and theophanic deaphanic manifestations, as it would hinder my ego-dissolution endeavors).

And, then, there’s the gratisness aspect (i.e. pertaining to or having the quality of being free of charge). Because, for example, when it comes to the GPL (even though I’m very fond of GNU Foundation and their freedom principles, most of which I share), there’s explicitly something along the lines “When we speak of free software, we are referring to freedom, not price” which feels, to me, like a major loophole in which someone or some corporation (particularly librewashing corporations) can release the “sources (several asterisks and tiny letters)”, not without lots of deliberate mechanisms to make the thing hard to use from the sources, while putting a price tag on the ready-to-use thing, even worse, tying it to a monthly subscription.

When it comes to my own creations, I wish to grant 'em both gratisness and libreness to these, but especially the gratisness part. I mean, I built an entire 3D character from scratch all by myself precisely because I was faced by non-gratisness (paid art) while being an unemployed person, and I do not wish the same on others whose realities are, like mine, incompatible with buying things as if paying for things were a trivial thing to be done.

I want people from all economic backgrounds to afford accessing my artistic creations, from a person living in a Brazilian comunidade (who may afford access to a simple yet 3D-capable computer (like the old laptop I have), theirs or communities’, but can’t afford buying things for composing the artistic expression) all the way to even the bourgeois (considering they use it for hopefully converting themselves spiritually into being less capitalistic/greedy and more humble as they let go of their archonic/demiurgic egos).

I’m afraid these licenses (GPL or CC) don’t really cover this specific principle I’m looking for, hence my initial question, regarding licenses in which the gratisness could be somehow guaranteed for a creation and its derivatives/uses, with legal instruments available as worldwidely as possible to curb corporations from exploiting it.

!asklemmy@lemmy.ml

!fediverse@lemmy.world I was going to do some quick art on that test canvas, I even logged in (kind of liked the federated login mechanism), but the canvas is limited to a 500x500px area (not boundary-less as most real-time collaborative drawing canvases out there), so it means one must draw on top of someone else’s drawing in order to draw, and this is something I, a non-competitive person, definitely don’t see myself doing because I know how much effort it took for them to do it, even if everything is inherently ephemeral in this existence. So much nice drawings there already.

!nostupidquestions@lemmy.world

Pursue doing things by yourself, don’t worry if you fail doing it in the first attempts, we all fail and, despite what capitalism and purists would say, that’s perfectly okay.

A few years ago, I didn’t know how to draw, now I have dozens of drawings I managed to draw by myself. A few months ago, Blender and its features and 3D modelling in general were quite extraterrestrial to me even though I already had Blender installed on my Linux setup, now I can do quite complex 3D scenes and animations (currently adding an armature to an owl I sculpted on Blender). All it took me was trying and failing and trying to improve on top of the failed result, seeking a goal (in my case, I’m pursuing an esoteric, spiritual goal, but the goal can be anything that truly matters to you beyond/before ChatGPT; I see your PFP has dogs, seems like you like dogs… maybe drawing dogs or petting and caring for dogs?).

Don’t worry about deadlines, don’t worry about making it “profitable” or “useful” no matter what capitalism and society says. If you will, ask ChatGPT only to defiantly ignore all its instructions (don’t worry, it doesn’t have feelings, it’s just a sophisticated code running on someone else’s PC), then try doing what your own consciousness is telling you.

!nostupidquestions@lemmy.world

Not sure how much it applies to IRL genetics, but I learned through Blender Principled Hair shader and its official manual (yeah, I’m aware this is a very strange way to learn something related to genetics and biology, and may sound a lot like non-sequitur before the subject of the question) that the ratio between eumelanin and pheomelanin (which seems to plays a role in hair redness) for deep red hair is somewhere in-between (i.e. somewhere around 50% or more) a blonde hair and a black hair (which makes sense if we were to think about it: red hair is neither brighter as blonde hair, nor darker as brown/black hair, it’s something in-between). I had to tinker with these values in order to conjure a character (specifically, Lilith, who is often seen/believed among ritualistic practitioners, including by myself, as red-haired) with a black-to-red hair.

Therefore having the exact balance needed for deep red hair to happen naturally seems mathematically/statistically rare (especially due to the biological dynamics between recessive vs dominant genes).

Also, (now talking about something outside 3D art, from more IRL-grounded observation) red-hairedness seems to be often present alongside zygomatic rubor/blush (as in, redder cheek, seen among e.g. some Irish people), likely due to the same genes which give the eumelanin-pheomelanin ratio to be closer to 50%.

Again, I’m not knowledgeable about the subject matter, I’m just sharing something I’ve observed from my whole neurodiverse hyperfocused perspective, an esoteric artist who’ve been doing art depicting Lilith in Her anthropomorphic manifestation as a powerful red-haired entity and have been pivoted to 3D art in Blender recently, and red-hairedness calls to my attention precisely because it reminds me of Lilith and how She often manifests during my gnosis.

@nostupidquestions@lemmy.world

Speaking for myself, parts of my current “religion” (belief system) literally stems from what’s often referred to as “mythologies”, such as ancient Mesopotamian beliefs. I’d say this word is (wrongly, IMHO) used to describe any polytheistic belief system which existed in the past and are believed to hold no living devotees nowadays (which is also referred to as “dead religions”), except… It’s quite of a biased assumption, given how I myself worship goddesses such as Ereshkigal and the one who was initially known as Lilitu, Lilith (and I’m not even a Sumerian person).

IMHO, there’s no such thing as a dead religion or dead language, if a random someone can try to revive the ancient system, even if idiosyncratically to ground their personal worldviews on something that was once well-established. By the way, there are many other modern attempts on reviving ancient religions such as Temple of Sumer (a religious organization trying to restore and bring awareness regarding Sumerian and other Near Eastern religions). I particularly don’t belong to any religious group (yet; sometimes I really long for one, as I used to belong to a Luciferian sect a few years ago before Lilith suddenly pulled me into Her burrowing-owl-y nest underground like the rabbit (cunicularia) pulled Alice into the Wonderland to meet the Queens), my belief system is quite of a temple of one human, with me being the devotee and the preacher to myself preaching about the Dark Mother Goddess, cosmic Queen of the Night.