Having grown up late 90s into the 2000s I went from buying cds to lime wire to spotify.

In the last 6 months I have found such a greater appreciation for just putting on a whole album and listening to it front to back.

I feel there is a huge loss when going from one artist to another to another all random.

Today I am listening to Refused, The Shape Of Punk To Come

  • Rhynoplaz@lemmy.world
    link
    fedilink
    arrow-up
    1
    ·
    edit-2
    7 hours ago

    If someone took a photograph of the Mona Lisa, do they deserve all the accolades of Da Vinci?

    Of course not. Feel free to say thank you for showing this to me, but that’s about all the credit they deserve.

    Sorry if you’re a member of Maroon 5, or some other band that purchases random songs and performs them as your own, but to me, that’s the same as taking photos of OTHER people’s paintings and putting them in a coffee table book.

    • [object Object]@lemmy.world
      link
      fedilink
      arrow-up
      2
      ·
      4 hours ago

      Sorry if you’re a member of Maroon 5, or some other band that purchases random songs and performs them as your own

      A non-sequitur reply that says a completely different thing than what was discussed in the thread.

      • Rhynoplaz@lemmy.world
        link
        fedilink
        arrow-up
        1
        ·
        2 hours ago

        I thought it made sense in context, but maybe not since so many people seem to not understand what I’m trying to say.

        • [object Object]@lemmy.world
          link
          fedilink
          arrow-up
          2
          ·
          2 hours ago

          Plenty of very talented people write individual songs instead of conceptual albums, and songs on a record often sound cohesively only because they were written in approximately the same period. I don’t know where you got the notion that it’s either whole albums or songs written by others, nothing in between.

          For example, Velvet Underground operated pretty much in pop industry’s recording mode despite their experimental approach to the sound and themes. ‘The Velvet Underground & Nico’ straight up opens with one of the poppiest songs they have, and the tracks aren’t thematically linked aside from being generally about people at The Factory. Songs about drugs and BDSM are interspersed with heartfelt songs about Edie Sedgwick, Warhol, and a poor girl who wants to party. They also recorded a bunch of great songs that went unreleased for fifteen years, until the compilation ‘VU’.

          • Rhynoplaz@lemmy.world
            link
            fedilink
            arrow-up
            1
            ·
            1 hour ago

            I don’t know where you got the notion that it’s either whole albums or songs written by others, nothing in between.

            I don’t know where anyone got that notion, because that’s definitely not what I was trying to say.

            • [object Object]@lemmy.world
              link
              fedilink
              arrow-up
              1
              ·
              29 minutes ago

              I mean, that’s how your comments read.

              Others, it’s just ten songs randomly arranged. Pretty good litmus test on whether they’re good musicians or just corporate karaoke.

              I’m not saying that the musicians in corporate karaoke bands aren’t talented, but I’ll give more credit to a composer than a talented cover band any day.

              Sorry if you’re a member of Maroon 5, or some other band that purchases random songs and performs them as your own

              Did you not know that record labels buy pre-written songs for bands to play as their own?